Picture 1: www.flickr.com from quinet's photostream
Picture 2: www.flickr.com from goldberg's photostream
This painting, by German native Emanuel Leutze, is a compilation of ideals regarding the conquest of the American West. Each portion of the scenery depicts common examples of both struggles and achievements of exploring the west. In the foreground, settlers begin to see the landscape of their destination: the coastline of the Pacific Ocean. These figures, including the guide, point to their ultimate goal with expressions of joy, satisfaction, and relief. Just beyond the foreground, other settlers are portrayed in manners of exerting physical and mental anguish. Note the burial cross and recently deceased. Centered, atop a soaring peak, two settlers climb and wave victoriously over their feat. Also take notice of the placement of major landmarks; Pacific Ocean (left), plateaus (center), and Rocky Mountains (Right).
The surrouding framework consists of small scenes which exemplify the earlier stages of the conquest for he west. The two lower corner portaits, Daniel Boone (left) and William Clark (right), portray the merging of unique cultures in America. Clark wears clothing made of furs and hides in the manner of Native Americans.
The real life aspect is greatly shown through because Lilly Martin Spencer actually used her family as models. The painting is as natural as a photograph, especially in "Kiss Me and You'll Kiss the 'Lasses" (1856). Which also has a darker background, with the woman standing out, cooking.
This image caught my attention because of the practical aspect of 19th century domestic "responsibilities." It really shows how hard women worked, yet it shows her in a nice blue dress, which is what women would have chosen to wear while cooking/cleaning house.