This piece is eye-catching because it is a representation of a tattooed individual, something uncommonly seen in art history classes. The piece portrays a Marquesan warrior in a contrapposto stance. In one hand, he is holding a bag, and in the other, he is holding what appears to be a scepter/staff that rests on his shoulder. From head to toe, the warrior is covered in intricate tattoos; in a way, the piece of art contains more art on the subject itself. Different sections of his tattoos are made of lines forming various geometric patterns. There seems to be a disconnect between his body and his head; his body is stocky and muscular, but his face is slender and angular. His face and facial hair appear more European than Polynesian.
After Research
While the textbook does not specifically discuss this piece, it does offer insight into the significance of tattoos in Polynesian culture. Tataus, as they are called, are based on the ancient art form of body painting. Tattoo artists, called tubuka, skillfully used the line work of the tattoos to compliment the contours of the human form. The various geometric patterns and imagery translate ideas, such as warfare and killing (O’Riley). This permanent form of body art lends credit to the warrior’s status in his society.
Reference
Kampen O’Riley, Michael. Art Beyond the West: The Arts of the Islamic World, India and Southeast Asia, China, Japan and Korea, the Pacific, Africa, and the Americas. 2nd ed. Upper Saddle River. Pearson, 2013.
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